Peter Suderman on 2012, the stupid new film based on the stupid 2012 phenomenon:
And with its never-ending parade of glorious, ludicrous, and utterly improbable catastrophes, it more or less succeeds. 2012 is the sort of movie so aggressively hyperbolic and devoutly over-the-top that it makes traditional descriptive labels obsolete and thus requires the invention of whole new words. My suggestions? How about catastrophaganza–the subgenre to which 2012 (and most of Emmerich’s oeuvre) belongs–and retardiculous–a combo word to describe its barfy blend of low-quality yucks; treacly, social-welfare obsessed melodrama; buzz-word-laden psuedo-scientific babble; and gleefully apocalyptic pyrotechnic spectacle.

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