
One of the strangest things that seems to be a common phenomenon on the modern cultural Left is the idea that to engage with ideas and thoughts which you stridently oppose, even to understand them, is “problematic.” Giving them a platform. To give a concrete example at one point I saw a discussion about whether Immanuel Kant was kosher to read and understand, given his straightforward racist attitudes. As if reading and citing Critique of Pure Reason somehow imparts the taint of the author’s racial attitudes (or whether you should read a biography of Madison Grant).
This all strikes me as very familiar. As some of you know, I grew up in a very conservative and religious area of the United States, and the general concept of “forbidden books” was in the air with some of my friends. To give a concrete example, I was reading a biography of Charles Darwin once, and a good friend saw my copy and almost recoiled. He didn’t want to touch the book. He literally didn’t believe that the book was hexed or anything, but the associations with Darwin was too much for his psyche.

People who in other circumstances were entirely rational would just lose their shit if you attempted to understand the issue analytically. Osama bin Laden, like Adolf Hitler, had become a legend, a monster in the dark. An agent of evil that was supernatural. Perhaps more precisely, terrorism had become a supranatural phenomenon. Above analysis.

Related to all this, check out this rebuke from the socialist Left against the “1619 Project”, The New York Times’s 1619 Project: A racialist falsification of American and world history. Obviously, I don’t agree on every single detail, and I’m very much not a socialist. But I think the piece captures the myths of the moment. These few sentences in particular strike at the heart of the matter:
The methodology that underlies the 1619 Project is idealist (i.e., it derives social being from thought, rather than the other way around) and, in the most fundamental sense of the word, irrationalist. All of history is to be explained from the existence of a supra-historical emotional impulse.
Anyone with a cursory understanding of American social and economic history could see that the 1619 Project was an exercise in propaganda. Too much “did not compute.” But most of the criticisms I saw were from the Right, and so were dismissed or ignored. The usual “historian here” Twitter stars were quiet. The 1619 Project was presenting sacred truths, outside of the purview of analysis. Facts were not going to get in the way of the idea. And that idea fed upon and nourished by emotions.



